VIEW IN MY ROOM
United Kingdom
Photography, Black & White on Fine Art Paper
Size: 15.7 W x 10.2 H x 0.4 D in
Ships in a Tube
Shipping included
This work employs a classic of modern art paintings: dead nature/still-life and revised it with a digital and conceptual take. I am fascinated by the shapes that dead flowers take once they dry and how different these results can be every single time, and I to make work that celebrates how dead and beauty can embrace each other. I shot a bunch of dried roses I bought previously, in my studio with the idea of making something out of the darkness. I used specific camera settings and a flashgun and just shot without really being able to see the works on the camera. the images were only visible after a post-production stage where I would change the setting and then look at what I captured this is my favourite takes and it is an image that verges towards abstraction which is a very strong element of all my work. The texture is very grainy and with a lost of contrast and gives this low-quality effect
Original Created:2021
Subjects:Abstract
Materials:Fine Art PaperOtherPrintPhoto
Styles:AbstractContemporaryFine Art
Mediums:Black & WhiteManipulatedDigital
Photography:Black & White on Fine Art Paper
Artist Produced Limited Edition of:10
Size:15.7 W x 10.2 H x 0.4 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Italian artist based currently in London. Her artistic practice investigates and questions the persuasive power of the image and of the visual language. Her body of work incorporates intimate yet universal experiences such as loneliness, abandonment, fear for emotional nakedness and failure. In touching on these topics, she aims to create a collision between opposite languages: the unreal and the imaginary, the document and the oneiric, the personal memory and the collective, aiming to trigger reactions by invoking primal and visceral emotions. She employs the photographic medium to create visual access to the many different readings of existence. Her work often addresses elements of sexuality, mysticism, body language and nature, to create a tense narrative that provokes and relives at the same time.
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