VIEW IN MY ROOM
Austria
Painting, Acrylic on Paper
Size: 16.5 W x 23.4 H x 0.1 D in
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This is one of the companion pieces to the paiting "Linda's flatshare full of lies" and has a similar story behind it. The one main diffference is though that in this picture I included, among the various perspectives of the interior, an outer view of the building. The contrasting styles and divergent use of mediums between the outer view (the upper part of the painting) and the interior views (lower part) were a conscious desicion. I chose for the street view the classic technique of pen and wash to create what can be called a nostalgic imagery of old-fashioned British village architecture, sharply differing from the mucky paint layers of the interiors. But I do not wish to manipulate the viewer's thoughts on this painting any further...
Original Created:2015
Subjects:Interiors
Materials:Paper
Styles:FigurativeFine Art
Mediums:AcrylicTemperaWatercolorInk
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:16.5 W x 23.4 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Austria.
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Austria
Born and raised in Vienna, I was trained at the "Künstlerische Volkshochschule Lazarettgasse" in naturalistic, portrait and figure drawing for several years, and was taught oil as well as watercolour painting techniques. Later, I studied Classical Philology and Philosophy at the University of Vienna. My two great passions are visual art and literature. Having said that, I think it necessary to say that I do not mix up my interests in literature with my painting, but rather let them stand and thrive separately. Yet, although my literary and theoretical training may not have an impact on my visual artworks, it plays a crucial role in my artistic thinking, for it helps me to find a way through the sheer impenetrable jungle of contemporary art theories, concepts and ideas that shape our modern thinking of what "good" art is or ought to be. Even if I use a variety of different media and materials, I have a unique and very deep passion for watercolour. This is the medium I discovered first as a child, this is the medium I learned with how to represent reality. Since then, of course, my style expanded beyond realism. Now and then, however, I return to it. But my love for watercolour is still the same. It is my aspiration to find a completely new form, a new visual language for watercolour, as it were, because, looking at watercolour painting today, I surmise that most of it seems stuck somewhere between a formulaic form of realism and an odd revival of expressionism.
Artist featured by Saatchi Art in a collection
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