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France
Sculpture, Stone on Other
Size: 22.8 W x 9.8 H x 1.2 D in
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This work is inspired by Richard Bach's famous novel “Jonathan Livingston the seagull”, a work published in 1970 in the United States, then in France. Having since become a bestseller, this book praises freedom, love, and the quest for the absolute. Life goals that largely echo in the artist. In this philosophical tale, Jonathan, the gull, leaves the shelter and safety of his group to quench his thirst for freedom and discovery. Widely criticized, then condemned, he perseveres despite perils and difficulties… This bas-relief wall sculpture was made in several stages. First the sculpture of the hollow mould, then the casting of the concrete tinted in the mass by pigments and reinforced by a metal core. After hardening for three weeks, the work was unmolded by breaking the mold that gave it shape. Pierced with two holes for the passage of screws. Delivered ready to hang with special plaster dowel, screws, and brass screw cover.
Sculpture:Stone on Other
Original:One-of-a-kind Artwork
Size:22.8 W x 9.8 H x 1.2 D in
Frame:Not applicable
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
Thierry Vobmann is a professional French artist who lives in Brittany, the most westerly place on the European continent. In his studio, he creates paintings on canvas and sculptures in wood and metal. For more than ten years, he has devoted himself almost exclusively to abstract painting because he has set himself the goal of expressing everything that does not have a physical appearance such as sounds, smells, warmth, feelings, the wind ... He realized that finally most of the factors that govern our lives and our behavior were not visible but noticeable. Thierry's approach logically was to remove the image of the real to keep only the essential: the pure and universal emotion. During his first year of work in abstract expressionism as this style is commonly called, Thierry has developed his own style which is abstract but in which he slides as often as possible reminiscences of figurative techniques such as perspectives, shadows, lights. He constantly seeks the balance of volumes, textures, colors, movements in order not to disturb the expression of the feeling. His works are not smoothed. They are sometimes violent, colorful, and spicy, but always in order to accentuate the desired expressiveness. During this year of setting up, Thierry totally immersed in the construction of his art, declares that he began to make dreams he said “Sometimes, when I sleep, I receive as a message, a very precise vision of a work to paint. Everything is there, the visual, the title and regularly even the written description of the painting. So I wake up and look for paper and pencil to take notes or sketch because in the morning I will not remember anything. “ Thierry also states that it happened to him, when he was very calm and tired, because Thierry frequently paints at night, to make a painting that once completed, seemed totally foreign to him. He knew he had painted it but, his hand had been guided, at no time had he thought about what he was doing, he had done it. These dreams and the feeling of being assisted in his creation brought Thierry into the search for a universal energy, a vital energy that governs everything we know, that influences our life and our decisions. Thierry's evolution from the representation of the impalpable to universal energy has led him to the experience he is now leading. He seeks to voluntarily connect to these powerful external forces. This is what he calls "Blind painting experiment".
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