VIEW IN MY ROOM
United States
Painting, Watercolor on Paper
Size: 12 W x 17.5 H x 0.1 D in
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The sky, the sea, the earth photographed from space - We are surrounded and enveloped by the color blue. For those of you who like chinoiserie, delftwork, and cyanotypes, (as I do); a dreamlike watercolor with indigo ink and colored pencil, Part of the "Blue Flow" series. On Japanese paper which has a handmade, organic feel. I recommend framing in a floating frame where you can see the edges. From Art Critic Shana Nys Dambrot, "Karen Clark avails herself of an eclectic set of mediums and materials, including but not limited to painting, drawing, digital collage, and printmaking. These she deploys in all possible combinations in the service of pictorially hybrid compositions in which she freely samples stylistic languages from gestural abstraction to the surreal, naturalistic, ultra-modern, and romantic -- Thank you for looking.
Painting:Watercolor on Paper
Original:One-of-a-kind Artwork
Size:12 W x 17.5 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Karen Clark is a contemporary artist based in Los Angeles. She uses oil, acrylic and collage in her quest to find magic in the ordinary. Her art has been commissioned by Louis Vuitton, the Bellagio Hotel, the Mandarin Oriental, the Virgin Hotel, Los Vegas, and an HBO series. She has sold to private collections in Sweden, France, the United Kingdom, Germany, Italy, Israel, the Netherlands, Japan, Singapore, the US and more. Her art has been featured on on Artsy, the Huffington Post, CNN, and CBS. From Art Critic Shana Nys Dambrot, "Karen Clark avails herself of an eclectic set of mediums and materials, including but not limited to painting, drawing, digital collage, and printmaking. These she deploys in all possible combinations in the service of pictorially hybrid compositions in which she freely samples stylistic languages from gestural abstraction to the surreal, naturalistic, ultra-modern, and romantic -- inventively choreographing this gamut of choices into layered juxtapositions that are at once eerie and poetic, strange and familiar.
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